Philadelphia's Sweet Pill write eruptive emo songs that embrace the edges of pop and hardcore. The kind of band whose members are fully immersed in their local scene - through a handful of notable side projects and the show-promoting Philly staple 4333 Collective - the quintet's sound takes wide-spectrum influence from its environment. The result is an amalgam of complex song structures and flourishes of technical acumen, wholly unconcerned with genre, yet evoking the specific styles of touchstones such as Paramore and Circa Survive. On their debut longplayer Where the Heart Is, Sweet Pill's unbound, raucous energy presents through ten autobiographical tracks that hinge on singer Zayna Youssef's elastic, enrapturing voice - at times belting and controlled, at others textural and guttural. Supporting Youssef are guitarists Jayce Williams and Sean McCall, bassist Ryan Cullen, and drummer Chris Kearney. Their blistering lead single "Blood" sees Youssef exploring a deteriorated friendship over Williams and McCall's trudging riffs and tactful counterpoint, with Cullen and Kearney rumbling nimbly in the song's foundations. Second single "High Hopes" counters with introspective, melodic punk that reshapes anxiety rather than succumb to it. But third single "Diamond Eyes" momentarily slows the pace, with McCall joining Youssef on vocals for a breakup lament laden with acoustic sentimentalism and an emotive flurry from guest flutist Jill Ryan. Such range is the central facet of Where the Heart Is, where Sweet Pill's penchant for combining punkish tropes enlivened with the vibrance of math-rock and the aggression of post-hardcore sweetened with pop sensibility compound into something stylistically new yet still familiar.
Limited vinyl LP pressing of this 2004 album from the Arizona-based emo rock band. The guitars are stacked like thick diamonds, the vocals are way out front and buttressed by sweet harmonies in the choruses, the drums sound large, and the mix is loaded with sweetening from acoustic guitars, keyboards, and female vocals. In the process, they sacrificed the immediacy of the previous record, but they gained an epic and weighty feel. Jimmy Eat World exemplify all that is the modern radio rock sound. Singing and playing with a conviction and sincerity that will melt the heart of even the most stoic of listeners, they produce rousing, well-crafted anthems along the lines of Third Eye Blind at their roughest or a more polished Green DayLimited vinyl LP pressing of this 2004 album from the Arizona-based emo rock band. The guitars are stacked like thick diamonds, the vocals are way out front and buttressed by sweet harmonies in the choruses, the drums sound large, and the mix is loaded with sweetening from acoustic guitars, keyboards, and female vocals. In the process, they sacrificed the immediacy of the previous record, but they gained an epic and weighty feel. Jimmy Eat World exemplify all that is the modern radio rock sound. Singing and playing with a conviction and sincerity that will melt the heart of even the most stoic of listeners, they produce rousing, well-crafted anthems along the lines of Third Eye Blind at their roughest or a more polished Green Day.Limited vinyl LP pressing of this 2004 album from the Arizona-based emo rock band. The guitars are stacked like thick diamonds, the vocals are way out front and buttressed by sweet harmonies in the choruses, the drums sound large, and the mix is loaded with sweetening from acoustic guitars, keyboards, and female vocals. In the process, they sacrificed the immediacy of the previous record, but they gained an epic and weighty feel. Jimmy Eat World exemplify all that is the modern radio rock sound. Singing and playing with a conviction and sincerity that will melt the heart of even the most stoic of listeners, they produce rousing, well-crafted anthems along the lines of Third Eye Blind at their roughest or a more polished Green Day.Limited vinyl LP pressing of this 2004 album from the Arizona-based emo rock band. The guitars are stacked like thick diamonds, the vocals are way out front and buttressed by sweet harmonies in the choruses, the drums sound large, and the mix is loaded with sweetening from acoustic guitars, keyboards, and female vocals. In the process, they sacrificed the immediacy of the previous record, but they gained an epic and weighty feel. Jimmy Eat World exemplify all that is the modern radio rock sound. Singing and playing with a conviction and sincerity that will melt the heart of even the most stoic of listeners, they produce rousing, well-crafted anthems along the lines of Third Eye Blind at their roughest or a more polished Green Day.Limited vinyl LP pressing of this 2004 album from the Arizona-based emo rock band. The guitars are stacked like thick diamonds, the vocals are way out front and buttressed by sweet harmonies in the choruses, the drums sound large, and the mix is loaded with sweetening from acoustic guitars, keyboards, and female vocals. In the process, they sacrificed the immediacy of the previous record, but they gained an epic and weighty feel. Jimmy Eat World exemplify all that is the modern radio rock sound. Singing and playing with a conviction and sincerity that will melt the heart of even the most stoic of listeners, they produce rousing, well-crafted anthems along the lines of Third Eye Blind at their roughest or a more polished Green Day.Limited vinyl LP pressing of this 2004 album from the Arizona-based emo rock band. The guitars are stacked like thick diamonds, the vocals are way out front and buttressed by sweet harmonies in the choruses, the drums sound large, and the mix is loaded with sweetening from acoustic guitars, keyboards, and female vocals. In the process, they sacrificed the immediacy of the previous record, but they gained an epic and weighty feel. Jimmy Eat World exemplify all that is the modern radio rock sound. Singing and playing with a conviction and sincerity that will melt the heart of even the most stoic of listeners, they produce rousing, well-crafted anthems along the lines of Third Eye Blind at their roughest or a more polished Green Day.
๋ฐฐ์ก์๋ด
๋ฐฐ์ก ์ง์ญ | ๋ํ๋ฏผ๊ตญ ์ ์ง์ญ
๋ฐฐ์ก๋น | 3,600์ (100,000์ ์ด์ ๊ฒฐ์ ์ ๋ฌด๋ฃ๋ฐฐ์ก)
๋ฐฐ์ก๊ธฐ๊ฐ | ์ฃผ๋ง ๊ณตํด์ผ ์ ์ธ 2~5์ผ
- ๋ชจ๋ ๋ฐฐ์ก์ ํ๋ฐฐ์ฌ ์ฌ์ ์ผ๋ก ์ง์ฐ๋ ์ ์์ต๋๋ค.
๊ตํ ๋ฐ ๋ฐํ ์๋ด
- ๊ณ ๊ฐ ๋ณ์ฌ์ผ๋ก ์ธํ ๊ตํ/๋ฐํ์ ์ํ ์๋ น ํ 14์ผ ์ด๋ด ๊ฐ๋ฅํฉ๋๋ค.
- ๊ณ ๊ฐ ๊ท์ฑ
์ฌ์ ๋ก ์ธํ ๋ฐํ์ ๊ฒฝ์ฐ ์๋ณต ํ๋ฐฐ๋น๋ ๊ณ ๊ฐ ๋ถ๋ด์
๋๋ค.
- ๋ฐํ์ ์ ๊ธฐํ์ด ์ง๋ ๊ฒฝ์ฐ, ์ ํ ๋ฐ ํจํค์ง ํผ์, ์ฌ์ฉ ํ์ ์ด ์๋ ์ ํ์ ๊ตํ/๋ฐํ์ด ๋ถ๊ฐํฉ๋๋ค.
Philadelphia's Sweet Pill write eruptive emo songs that embrace the edges of pop and hardcore. The kind of band whose members are fully immersed in their local scene - through a handful of notable side projects and the show-promoting Philly staple 4333 Collective - the quintet's sound takes wide-spectrum influence from its environment. The result is an amalgam of complex song structures and flourishes of technical acumen, wholly unconcerned with genre, yet evoking the specific styles of touchstones such as Paramore and Circa Survive. On their debut longplayer Where the Heart Is, Sweet Pill's unbound, raucous energy presents through ten autobiographical tracks that hinge on singer Zayna Youssef's elastic, enrapturing voice - at times belting and controlled, at others textural and guttural. Supporting Youssef are guitarists Jayce Williams and Sean McCall, bassist Ryan Cullen, and drummer Chris Kearney. Their blistering lead single "Blood" sees Youssef exploring a deteriorated friendship over Williams and McCall's trudging riffs and tactful counterpoint, with Cullen and Kearney rumbling nimbly in the song's foundations. Second single "High Hopes" counters with introspective, melodic punk that reshapes anxiety rather than succumb to it. But third single "Diamond Eyes" momentarily slows the pace, with McCall joining Youssef on vocals for a breakup lament laden with acoustic sentimentalism and an emotive flurry from guest flutist Jill Ryan. Such range is the central facet of Where the Heart Is, where Sweet Pill's penchant for combining punkish tropes enlivened with the vibrance of math-rock and the aggression of post-hardcore sweetened with pop sensibility compound into something stylistically new yet still familiar.
Limited vinyl LP pressing of this 2004 album from the Arizona-based emo rock band. The guitars are stacked like thick diamonds, the vocals are way out front and buttressed by sweet harmonies in the choruses, the drums sound large, and the mix is loaded with sweetening from acoustic guitars, keyboards, and female vocals. In the process, they sacrificed the immediacy of the previous record, but they gained an epic and weighty feel. Jimmy Eat World exemplify all that is the modern radio rock sound. Singing and playing with a conviction and sincerity that will melt the heart of even the most stoic of listeners, they produce rousing, well-crafted anthems along the lines of Third Eye Blind at their roughest or a more polished Green DayLimited vinyl LP pressing of this 2004 album from the Arizona-based emo rock band. The guitars are stacked like thick diamonds, the vocals are way out front and buttressed by sweet harmonies in the choruses, the drums sound large, and the mix is loaded with sweetening from acoustic guitars, keyboards, and female vocals. In the process, they sacrificed the immediacy of the previous record, but they gained an epic and weighty feel. Jimmy Eat World exemplify all that is the modern radio rock sound. Singing and playing with a conviction and sincerity that will melt the heart of even the most stoic of listeners, they produce rousing, well-crafted anthems along the lines of Third Eye Blind at their roughest or a more polished Green Day.Limited vinyl LP pressing of this 2004 album from the Arizona-based emo rock band. The guitars are stacked like thick diamonds, the vocals are way out front and buttressed by sweet harmonies in the choruses, the drums sound large, and the mix is loaded with sweetening from acoustic guitars, keyboards, and female vocals. In the process, they sacrificed the immediacy of the previous record, but they gained an epic and weighty feel. Jimmy Eat World exemplify all that is the modern radio rock sound. Singing and playing with a conviction and sincerity that will melt the heart of even the most stoic of listeners, they produce rousing, well-crafted anthems along the lines of Third Eye Blind at their roughest or a more polished Green Day.Limited vinyl LP pressing of this 2004 album from the Arizona-based emo rock band. The guitars are stacked like thick diamonds, the vocals are way out front and buttressed by sweet harmonies in the choruses, the drums sound large, and the mix is loaded with sweetening from acoustic guitars, keyboards, and female vocals. In the process, they sacrificed the immediacy of the previous record, but they gained an epic and weighty feel. Jimmy Eat World exemplify all that is the modern radio rock sound. Singing and playing with a conviction and sincerity that will melt the heart of even the most stoic of listeners, they produce rousing, well-crafted anthems along the lines of Third Eye Blind at their roughest or a more polished Green Day.Limited vinyl LP pressing of this 2004 album from the Arizona-based emo rock band. The guitars are stacked like thick diamonds, the vocals are way out front and buttressed by sweet harmonies in the choruses, the drums sound large, and the mix is loaded with sweetening from acoustic guitars, keyboards, and female vocals. In the process, they sacrificed the immediacy of the previous record, but they gained an epic and weighty feel. Jimmy Eat World exemplify all that is the modern radio rock sound. Singing and playing with a conviction and sincerity that will melt the heart of even the most stoic of listeners, they produce rousing, well-crafted anthems along the lines of Third Eye Blind at their roughest or a more polished Green Day.Limited vinyl LP pressing of this 2004 album from the Arizona-based emo rock band. The guitars are stacked like thick diamonds, the vocals are way out front and buttressed by sweet harmonies in the choruses, the drums sound large, and the mix is loaded with sweetening from acoustic guitars, keyboards, and female vocals. In the process, they sacrificed the immediacy of the previous record, but they gained an epic and weighty feel. Jimmy Eat World exemplify all that is the modern radio rock sound. Singing and playing with a conviction and sincerity that will melt the heart of even the most stoic of listeners, they produce rousing, well-crafted anthems along the lines of Third Eye Blind at their roughest or a more polished Green Day.
๋ฐฐ์ก์๋ด
๋ฐฐ์ก ์ง์ญ | ๋ํ๋ฏผ๊ตญ ์ ์ง์ญ
๋ฐฐ์ก๋น | 3,600์ (100,000์ ์ด์ ๊ฒฐ์ ์ ๋ฌด๋ฃ๋ฐฐ์ก)
๋ฐฐ์ก๊ธฐ๊ฐ | ์ฃผ๋ง ๊ณตํด์ผ ์ ์ธ 2~5์ผ
- ๋ชจ๋ ๋ฐฐ์ก์ ํ๋ฐฐ์ฌ ์ฌ์ ์ผ๋ก ์ง์ฐ๋ ์ ์์ต๋๋ค.
๊ตํ ๋ฐ ๋ฐํ ์๋ด
- ๊ณ ๊ฐ ๋ณ์ฌ์ผ๋ก ์ธํ ๊ตํ/๋ฐํ์ ์ํ ์๋ น ํ 14์ผ ์ด๋ด ๊ฐ๋ฅํฉ๋๋ค.
- ๊ณ ๊ฐ ๊ท์ฑ
์ฌ์ ๋ก ์ธํ ๋ฐํ์ ๊ฒฝ์ฐ ์๋ณต ํ๋ฐฐ๋น๋ ๊ณ ๊ฐ ๋ถ๋ด์
๋๋ค.
- ๋ฐํ์ ์ ๊ธฐํ์ด ์ง๋ ๊ฒฝ์ฐ, ์ ํ ๋ฐ ํจํค์ง ํผ์, ์ฌ์ฉ ํ์ ์ด ์๋ ์ ํ์ ๊ตํ/๋ฐํ์ด ๋ถ๊ฐํฉ๋๋ค.
๊ฐํธ๊ฒฐ์ ๊ฐ๋ฅ
